It is very hard to imagine how you could make three sequels to Frankenstein — or, for that matter, to the original Universal film version. I mean, other than the fact that they actually did it. It is also the first in the series to be set in the modern world. Yes, we do see […]Read more "The Ghost of Frankenstein (1942)"
I suppose it was inevitable. You are trying to find ways to spin off sequels to your successful horror films, you’ve made a movie an invisible man, a war is on… So naturally we get a movie about an invisible spy. What is strange, though, is that it is played strictly for laughs. Now, those […]Read more "Invisible Agent (1942)"
It isn’t easy to find science fiction films made in the Thirties. It did show up in quite a few serials, but then those were aimed at kids. There were a few odd films with more developed SF elements — like Just Imagine — but for most part you were going to find it in horror […]Read more "Doctor X (1932)"
“FOREWARD: Every scientific fact accepted today once burned as a fantastic fire in the mind of someone called mad. Who are we on the youngest and smallest of planets to say that the INVISIBLE RAY is impossible to science? That which you are now to see is a theory whispered in the cloisters of science. […]Read more "The Invisible Ray (1936)"
After nearly forty years, from their classic silent horrors of the Twenties through the golden era of the Thirties, the endless sequels of the Forties and the Jack Arnold Fifties, the Universal Horror cycle finally ground to a halt with a film more like what they might have made in the Forties than anything they’d […]Read more "The Leech Woman (1960)"
The 1940s were not a great era for Universal Studios cycle of horror films. To be fair, they did produce a number of quite good films, but they also made several very strange films and quite a few that were basically…there. It was also their era for sequels. Not only did their classic characters like […]Read more "The Invisible Man’s Revenge (1944)"
(aka Invisible Avenger) Sometimes things just don’t work out. Take the case of Tômei ningen: it was Toho’s second science fiction film, a more-or-less adaptation of the famous novel by H.G. Wells (more less than more!) with some moderately impressive effects provided by Eiji Tsuburaya. You’d have expected it to do well at the box-office. And […]Read more "Tômei ningen [The Invisible Man] (1954)"