Yeong-geon tam-jeong-sa-mu-so [Young Gun in the Time] (2012)

The most remarkable thing about this film is that it only cost $30,000. And what makes it even harder to believe that this polished time traveling small time private detective comedy got made for such a pitiful sum is the source of Korean writer and director Young-doo Oh’s funding for this film: the $25,000 cash […]

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Vortex (1982)

It was called “No Wave Film.” Although that wasn’t the official name: it was borrowed from the No Wave underground music movement which was already growing at the time and involved many of the same people. Some people called it the “New Cinema,” which was actually the name of the theater which showed these films. […]

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Reminiscence (2021)

What we have here is a classic Film Noir Private Eye drama. At least if you ignore the fact that this is a science fiction film. Now this is hardly a unique combination — Blade Runner did it back in the Eighties — and did it better than anyone else has since. However, Reminiscence sets […]

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Underworld (1985)

(aka Transmutations) What we have here is: Clive Barker’s first feature film credit (for story and screenwriting). Only he hated the results and disavows it. One of the first films from Charles Band’s Empire Films. Only it wasn’t actually produced by Empire and Band merely distributed it. And we might also note that it is […]

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Primal Scream (1987)

(aka Hellfire) I’ve given a lot of attention over the last few years to small films — whether SOV, DIY, or low budget Indies from dedicated creators and production companies — and to their special place in the film world.  But I haven’t written much about the role played by small distribution companies who put […]

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Space Detective (2017)

“The following transmission has been translated into local Terran dialect.  Some visual distortion may occur” I have no idea what in the world Antonio Llapur and Matt Sjafiroeddin were smoking when they created Space Detective.  I just hope someone buys them more of it – and soon. I find myself at a loss what in […]

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