8-ka de shinda kaijû no 12-nichi no monogatari [The 12 Day Tale of the Monster that Died in 8] (2020)

Wikizilla described this one as the first black and white Kaiju film since the original Gamera in 1965. Well…I guess. Maybe. You might call it that. If you absolutely had to. Now the reality is that this is instead a strange found footage film made during the height of the pandemic which just happens to […]

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Flight to Hell (2003)

This is the fourth of Alvaro Passeri’s films I have seen. And so far it is the only one which disappointed me. Passeri was a veteran special effects expert from the Italian film industry who decided in the mid-Nineties to make his own movies.  The five he created were all made on ridiculously small budgets, […]

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Shin Ultraman (2022)

This one wasn’t quite what I was expecting. Or maybe it was.  I’m not sure. After all, I’ve been waiting for it a long time.  It was announced, supposedly due to be released, delayed, delayed again, and finally came out — in Japan. More waiting. What I expected, when it was first announced, was a […]

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The Lair (2022)

It’s good to see Neil Marshall back. Not that he exactly went away.  But he’s had a hard time lately making the sorts of films which he loves to make. He vanished from the silver screen after his 2010 film Centurion into the world of television, and finally is making a comeback of sorts.  His Hellboy […]

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Hyperspace [Gremloids] (1984)

I’m not sure why this film is so hard to find. Yeah, it’s true that it is one of the long, long succession of low budget films Earl Owensby turned out at his North Carolina studios.  You probably aren’t familiar with any of them as they never got much play and most of them sank […]

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The Shadow Out of Time (2012)

As I continue my searches through the world of science fiction film, I find myself more and more impressed by the work of people with minimal resources who used their creativity, skill and sheer determination to put their vision on the screen. These days, our technology put almost anything on the screen, and yet we […]

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