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Cinema 2.0: The Future of Movie Making?
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Spaceships, Time Paradoxes and Duct Tape: The Joys Of Independent SF Film
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Life After Quatermass: Hammer Films’ ’60s Science Fiction
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Foundation and Reality: Asimov’s Psychohistory and Its Real-World Parallels
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The Great Leap Sideways: SF and Social Media
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Aliens, Robots, Spaceships and . . . Popsicles? SF on American Radio, Then and Now
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A Sympathy of Light and Shadow: Science Fiction, Gothic Horror and How They Met
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Flash Gordon, Cardboard Space Stations, and Zero Gravity Sex: Why Science Fiction Isn’t Always to Blame
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What in the World Do They Want, Anyway? The Myth of the Friendly Alien
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“Fans Are Slans”: A Study in Campbellian Influence
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You Wouldn’t Be Reading This If It Weren’t For Buck Rogers
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The Age of the Excessive Machine: Psychedelic SF, On-Screen and Off
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Méliès to Bonestell: Relevancy and Realism in Cinematic Science Fiction
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Kubrick to Scott: Relevancy and Realism in Cinematic Science Fiction
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Cut, Fold, and Conquer the Universe: The Best Models in the Galaxy
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Science Fiction and the Fall of the Evil Empire
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Why Science Fiction Detective Stories Aren’t Impossible
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Metallic Mayhem in the Movies: Giant Mecha, Then and Now
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Melon Farmers! Science Fiction Stumbles on the Way to the Theater
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It Came From the Garage! Technology, Film, and the Guy Next Door
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But Is It Art? Science Fiction that Isn’t Really Science Fiction
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Separated at Birth? Occultism, Science Fiction, and Why People Can’t Tell Them Apart
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RAY GUNS, ROBOTS AND SPACESHIPS, OH MY! THE BIRTH OF SCIENCE FICTION TOYS
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BOXTOPS, SECRET RINGS, AND SPACE HELMETS: THOSE BRAVE SPACEMEN OF THE VIDEOWAVES
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“I CAN BUILD IT!” TOM SAID INVENTIVELY: THE STRANGE HISTORY OF THE SIX TOM SWIFTS
A TO Z REVIEWS